Sara Renee Marshall is the author of a few chapbooks, two of which are forthcoming this year from above/ground press. Her poems have appeared in Colorado Review, OmniVerse, jubilat, Jellyfish, in anthologies, and elsewhere. She has two degrees from University of Colorado, and she's working on a PhD at University of Georgia. With Thomas and her daughter Rosa Bernadette, she lives in Atlanta, Ga.
What do you feel poetry can accomplish that other
forms can’t?
I want to follow Nathanaël here, who said they distrust
“any genre delineation,” but to be more specific, poetry is, for me, only a
chronicle of associations, attachments, and limits that I remember as I
practice them, transgress them, subvert them, or ignore them. For me, composing
is bodily, affective, ambient, and anti-singular. I read while I write. I walk
while I write. I parent and pee and half-sleep while I write. Its urges and
impulses emerge from so many sources and forms that I can’t always say what I
am writing is a poem or that what I have written is certainly a poem. Or maybe
I am less interested in the provenance or jurisdiction of poetry than I am in
the affective experience of generating writing in a broader sense.
So: I remain a
bit ambivalent about what poetry can
accomplish, but I feel certain that writing can move us, can be a space of
communion, politics, music, pleasure, pain, and solidarity.
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