Friday, 16 March 2018

Penn Kemp : part one


Poet, performer and playwright Penn Kemp has been celebrated as a trailblazer since her first publication of poetry by Coach House (1972), and a “one-woman literary industry”. She was London's inaugural Poet Laureate and Western’s Writer-in-Residence as well as the League of Canadian Poets’ Spoken Word Artist, 2015. Kemp has been a keen participant in Canada’s cultural life with thirty books of poetry, prose and drama; seven plays and ten CDs produced as well as several award-winning videopoems. See www.canpoetry.library.utoronto.ca/kemp/. Her latest poetry is Local Heroes (Insomniac, 2018). New plays are out about local hero, Teresa Harris, as well as poetry, Barbaric Cultural Practice (Quattro): see www.pennkemp.weebly.com. Updates: https://pennkemp.wordpress.com and http://facebook.com.pennkemp.poet. Follow her on Twitter (pennkemp) or https://www.facebook.com/pages/Penn-Kemp.

Photo credit: Mary McDonald

What are you working on?

My next project, LOCAL HEROES, Insomniac Press, 2018, celebrates legendary cultural heroes from London, Ontario. These poems evoke a specific city in its particular landscape and history. London’s literary and artistic heritage is documented, honouring artists in fields ranging from visual and language arts to figure skating. Presented as an overview, the collection stretches from Victoria explorer Teresa Harris to the contemporary arts scene. Local Heroes acknowledges the Indigenous peoples here, and the ongoing waves of settlers who have called the area home, as London grew from colonial outpost to vibrant cultural centre. Local Heroes spans time but remains in place.

Landscape shapes us by its distinctive atmosphere. Southwestern Ontario (Souwesto) is a peninsula bordered by two Great Lakes and by the United States. Local Heroes examines the works of artists who have been influenced by the pervading spirit of Souwesto. In classical Rome, a genius loci was the protective spirit of the local, depicted as a figure holding a libation bowl. London is situated in a bowl scraped out from receding glaciers. This bowl teems over with the productions of its arts through time. Why? What has made London a creative centre? As a mid-sized county seat set in the fertile farmland of Middlesex County, London is in the middle, entre lacs, between two metropolises, Toronto and Detroit, at the edge of the Snow Belt. Because it is so surrounded, London began as a garrison, a fiercely conservative British enclave that held tight to tradition and conventional mores. Artists who lived here could rebel, conform or leave.

The collection present three sections, in historical order. It opens with an exploration of the exploits of Teresa Harris, who escaped her corsets along with her colonial upbringing in London’s Eldon House. Like me, this explorer travelled widely for decades before returning home with memories and mementoes. The poems devoted to Teresa consist of outtakes from my play, The Triumph of Teresa Harris, that were best expressed as poetry. The middle section is What the Heart Parts, also produced as a play and a Sound Opera. When the Heart Parts is based on the life and death of her father, Jim Kemp, London artist and mentor of artists in the 1950s. In my work, poetry and drama intersect, the way two branches of the Thames meet at the Forks.

The second half of the book is a tribute to local London creators. I was lucky enough to grow up in an artistic household and so was introduced to many of London’s cultural icons. Anecdotes abound. “London Local Heroes” recognizes several of those artists who broke through conservative conventions to create and celebrate their own community. Cultural activists had to develop their own vibrant and exciting arts scene or be pulled away to the larger metropolis east or west of London. Transformation happens in the local, through the intersection of culture, art and geography that defines the regional. Local Heroes offers an empowering vision of regionalism: we are at our own centre, our own gravitational field, where activism is most effective. We are at the centre of a cultural cauldron where opposites mingle and mix. Here the arts are cultivated and emerge as rich as the farmland surrounding London. The centre not only holds but opens up to the world, rippling out in concentric circles.


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