Sunday, 25 October 2020

Rachel Eliza Griffiths : part two

How does your work first enter the world? Do you have a social group or writers group that you work ideas and poems with?

I haven’t shared poems with friends or writers groups in years. I like to have the intimacy of this work all to myself for as long as possible prior to publication. It’s such a private geography. It also takes time and patience for me to let the poem’s voice really fill the language, however uneasy that feels, however intensely that happens in the work. I have to do it alone, aware that I’m not alone because there are other poets, other readers, living and dead, who are in that poem with me. Mostly, I’m reluctant to ask for a second set of eyes and when I finally do it is likely it will be an editor or my agent who is looking at the work. Many poet-friends in my life are generous and willing to read my work before I publish my poems but I’m aware that they are also trying to balance obligations that factor into the daily living and writing of their own work, day-jobs, teaching, time their families, and their overall health. I would rather they give that extra time and energy to themselves, as it is so needed by all of us, especially during this pandemic. It’s a gift, and I don’t take it for granted, that they will be there for me and vice versa, but I tend to save this sort of request for something that’s very special or where I’m feeling more vulnerable than I usually do.

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