Friday 28 December 2018

Sacha Archer : part two

How does a poem begin?

How does one write? Over here it’s an emptiness that demands filling—even if that is a pipe dream. How can the empty world be made to speak? It comes out gibberish, mostly. That’s fine. Gibberish is an accurate reproduction of what really goes on. I look for the gibberish that we cling to and cling to it. The gibberish I produce is the product of my failure to believe in the meaninglessness that we are expected to ignore. It is amazing that people can ignore a hammer hitting their head. Am I in shock? Survival is editing. The poem begins, for me, in recognition of those habits that erase us. A poem begins in catching myself off guard, noticing something I always notice but somehow never process—the wealth of the blind spots.

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